Underdrawings in silverpoint, batch #2
June 3, 2021

Silverpoint #05 over toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.
I’ve completed six more panels, so I figure it’s time for an update. Illustrated here are a few of those that I that have found to be particularly interesting/beautiful for various reasons. The most evocative seem to be those whose compositions include human beings or parts thereof. It’s as though each one is from some unwritten comic book – captions not included. (Hergé would have understood.) Additionally, the abstract panels cause me to wonder/admire anew at how the iconoclastic impulse of Islamic art continues to produce such interesting varieties of texture and pattern.

Silverpoint #08 over toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.
Further, one very general note. I feel I am serendipitously creating 21st century daguerreotypes(!). (Who knew?) It’s as though by using silver to recreate images based on a digital photograph the mechanistic process has come full circle: human to machine back to human. And again, because the drawing stylus is silver it’s almost impossible to achieve a line darker than a 50% grey value. All values are compressed thereby, necessitating a multitude of small decisions. Then, adding in the white highlights truly makes each panel come alive. That’s my artist’s pleasure.

Silverpoint #11 over toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.
Finally, the raison d’être for these remains as underdrawings. And I have no doubt that their beauty and subtlety will contribute to the whole in yet-to-be-experienced ways. (Can’t wait) However, because of their beauty and subtlety – which at least compositionally I don’t take credit for – some will be held back for individual display and appreciation. For this, I think I have a plan…